Newcastle in film: Dont Look Back Bob Dylan in Newcastle


Bob Dylan's 1965 visit to Newcastle for his 6 May concert at the City Hall is recorded in D. A. Pennebaker's Dont [sic] Look Back (1967).


Bob is welcomed to Newcastle by Councillor Theresa Russell who invites him to stay at 'her' Mansion House when she becomes Lord Mayor the following year (1965-1966).


In return Bob gives her a harmonica. Mrs Russell endowed an Old Testament Studies prize at the grammar of which I was the first winner for an essay on Apocalyptic literature. That was my only appearance on the stage of the City Hall.


Bob checks out a guitar shop


before setting off on a walk down Pudding Chare.




Later he tries on a jacket in Marcus Price in the Groat Market.


An ecstatic shop assistant looks on.


He also chooses a tie which is admired by his manager and Alan Price who are both sampling a well-known local beverage.


The next day he sets off for Manchester by train. A crowd of local school girls see him off from the Central Station.


Crossing the bridge to Platform 10.



He says good-bye to the fans outside the Refreshment Room in the little passage between Platforms 9 and 1o. He seems to be wearing his new Marcus Price jacket.


A 'Peak' arrives with the empty stock from Heaton carriage sidings ready to form the 1210 Newcastle to Bristol train. The headcode 1V45 indicates an express destined for the Western Region.


Girls run alongside the departing train. A mail train is standing at Platform 8.


One of those old glass refreshment trolleys.


Mail bags were once such a common sight on station platforms.

More mail bags and a DMU for the Carlisle line at Platform 15.


Newcastle in film: Stormy Monday



Stormy Monday (1988), directed by Michael Figgis, pits crooked American investor and property 'developer' Tommy Lee Jones against Newcastle nightclub owner Sting. Sean Bean warns Sting of Jones's true intentions and becomes involved with Melanie Griffith who has apparently previously been used by Jones in his dodgy doings. There's a subplot involving a Polish jazz band who fly over from Cracow to Woolsington to perform in North Shields. Thanks to Sting and various hoodlums at last there's some Geordie spoken in this one.



A developer's 'vision' for Newcastle. At least the buses were still to be yellow.


Sean Bean heads down to the Quayside


and back again


where he bumps into Melanie Griffith opposite the barber's.


Later he takes a Metro somewhere


and then travels in a convoy


to North Shields


to the bottom of Howard Street. The building on the right is the former Literary and Philosophical Society Library later the offices of the Stag Line Shipping Company.


Bean meets Melanie again at the top of the Library Stairs.


This platform at the end of Howard Street was intended to lead onto a never built bridge across the Tyne to South Shields.


They return to Newcastle passing a newly privatised ex- PTE bus. Busways retained the old Corporation yellow livery, indeed restored a bit of pre-war maroon. Their takeover by Stagecoach put an end to yellow buses in Newcastle.


Sting meets his rival on the Tyne Bridge.



A Parade is heading down to the Quayside past Brian Mills's Newcastle Bookshop


and the Cafe Procope


in a bit of a homage to Get Carter.



It stretches back to the Royal Station Hotel


where the red carpet has been put out for the American villain.


Melanie arrives


and on leaving 'keys' the American's car.



It all ends explosively.

Newcastle in film: Payroll

In Payroll (1961), directed by Sidney Hayers, and based on a novel (1959) by Derek Bickerton, the Johnny Mellor (Michael Craig) gang plot the robbery of a factory's pay delivery. Though set, until the final denouement (in Norfolk), entirely on Tyneside (apart from a bizarre continuity-collapse shot of a level crossing at East Sheen station) once again not a single character speaks with a local accent. The novel was set in Birmingham.


The Payroll has hitherto been taken from Lloyds Bank in Grey Street in a Humber Super Snipe (here seen passing a 31A trolley bus on its route along Market Street towards the Central Station)


which takes an odd route via the Haymarket and Percy Street


down to the Quayside. Maybe this is a cunning way of confusing potential robbers.


But by the time the gang have got themselves ready the Humber has been replaced by an armoured van.


On a dry run they follow it in a Land Rover towards the Monument as a trolleybus for Denton Road Terminus passes along Market Street.


A policeman in a long white coat unwittingly assists their progress. There's a good view here of Mawson, Swann and Morgan, a rather posh shop that sold luggage on the ground floor and books in the basement. It later became a branch of Waterstone's.


This time they pass the Odeon in Pilgrim Street


and are soon back on the Quayside.


Seen through the Land Rover's windscreen the van crosses Redheugh Bridge.


On the day of the actual robbery the gang uses a tipper truck to ram the armoured van. Here it is seen stuck in traffic on the Tyne Bridge.


Once again the local police offer some help. The constable is wearing the distinctive ('Newcastle United') striped band on his cap used by Newcastle Police for a few years in the 1960s. The driver is wearing his old army leather jerkin - a great signifier of other ranks/lower classes in British films.


As it heads back it passes the 'tower wagon' used to repair the overhead trolley bus wires. Newcastle trolley buses had blinds for Gateshead destinations over the Tyne Bridge even though the wires never extended south of the Tyne - so there is no obvious reason for the vehicle to be crossing the river. The posts and hooks for the former tram overhead (removed in 1951) can be clearly seen. In the right background a Class V2 2-6-0 leads a heavy freight train towards Manors. A pigeon looks on.


The armoured van itself is stuck on the Swing Bridge.


There is a subplot. Mellor is having a dalliance with Katie Pearson (Francoise Prevost) the Viennese wife (at least they apparently met in Vienna - she speaks French when stressed) of the 'insider' who has provided the gang with the designs of the armoured van and its route. Here they separate after a tryst outside the Central Station. Katie is probably off to catch the train home to Tynemouth


where she lives opposite the Plaza in Parkside Crescent. As one of Bainbridge's of North Shields removal vans goes past, Mellor drops her off from his Sunbeam convertible


after a passionate hour in the sand dunes near Seaton Sluice.


When Pearson discovers the affair he burns his share of the loot setting fire to the house in the process. Katie beats it


as a Tynemouth Borough fire engine arrives on the scene.


She runs for a Newcastle Corporation bus which for some reason is operating along the Grand Parade (they never did)


and has stopped at a newly painted Tynemouth bus stop (they changed from black on white to white on blue around this time). (In the distance can be seen support vehicles for the production making a rare appearance on camera.)


But she hasn't escaped: the widow (Billie Whitelaw) of one of the security men killed in the raid has followed her, and as the bus sets off in the direction of Whitley Bay


and then mysteriously crosses the Tyne Bridge


she seeks her revenge.



The 1961 'tie-in' edition of the novel.


Shooting the film in Grey Street.

Some more about Payroll locations here.